Comedy is among the genres they developed, first as a means of satirizing and mocking men in power for vanity and being foolish. If you do all this, you seem to have "timing", but you're doing other, more important things too.The Ancient Greeks utilized drama as a means of investigating the world and the meaning of being human. Or about setting up a context with your tone, not only your words and timing, a context where the things you're doing are funnier than in other contexts. It's also about being joyful and contaminating people with joy. And humor is also about convincing other people something is funny by believing it is funny and displaying that belief. A person with "timing" looks to have a control over time because she's uplifting and/or incisive and/or always ready and prepared. The thing is, "timing" is not only about time. Luckily, not too late, not before they reached th conclusion themselves, or they already started thinking about something else and not too soon, not before they can understand enough what is happening to be surprised. You drop the second part of what you're saying at the right part of their inner dialogue. You say something, they're thinking about it. You gotta be connected to the audience's inner dialogue. If a comedian is alone, like in stand-ups or when telling a joke at home, the audience is the straightman. The straightman prepares the joke to be riped. But as far as timing is concerned, its a lot about communication. Laughter is a single reflex of the body, caused by many different triggers in the mind. Might be simply because it makes you remember something, and for some reason memory surprises us, and that "oh!" reaction elevates our spirit. It can be the unexpected, the expected, the subtlety, the gross exaggeration, the naivete or the wits, it can be because you really like a character being made fun of or because you really love it. There are a LOT of completely different things which can explain how things are funny. Skilled comedians will be able to tailor their delivery to allow for maximum emphasis without pausing so long that it becomes distracting. Because every speaker is unique, the ideal pause length will be different from person to person, and even from joke to joke. You'll notice that there is no standard for comedic timing. This leads to increased emphasis on the content (or punchline) that follows the pause. When someone is speaking and then insert a pause, the listener will instinctively start to pay more attention, because the signal has changed. Again, each of these features gives you specific information about the message you're hearing, and how it should be interpreted. This includes your pitch, the rhythm of your speech, the stress you place on different words for emphasis, and your timing. The other category, suprasegmental, is everything else, all of the non-word information that accompanies the words you say and hear. Each of these features give you different types of information to help you decipher what someone is saying to you. grammatical information such as plurals or tense markers), the actual meaning of the words, and the order that you put them in. The segmental features of speech have to do with the actual words you say - specifically, the sounds comprise those words, the word form (i.e. You can divide speech into two broad categories: segmental and suprasegmental.
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